Ingrid Goes West is by far the most complex yet hilarious film I've seen all year. Matt Spicer has created a perfect blend of satire and Hitchcockian thriller, to create an entertaining yet thought provoking film. Each performance is on point, including but not limited too Aubrey Plaza. This is easily Plaza's best role yet, in which she plays a disturbed stalker, who befriends an Instagram Influencer. Not to mention the supporting cast of Elizabeth Olsen, Billy Magnussen, and O'Shea Jackson Jr, in which they portray exaggerated, yet realistic portrayal of several different millennials. As well, the cinematography helped the performances by blending a neon-esque color pallet, to set up the tone. My only complaint with Ingrid Goes West is the redundancy of the score. At times, the musical score felt like it was on loop, and dragged the pacing of the film. Overall, Ingrid Goes West is a smartly written, well edited, star studded film with plenty of discussion worthy material after you view the film. Don't miss it!
The Little Hours is one of the rare exceptions when it comes to crude comedies. The Little Hours is a big delight. It's sense of humor is always top notch, from hilarious social satire, to random odd childish humor. The performances from all members of the cast, were all perfectly chosen for there respective parts. Aubrey Plaza plays a snarky nymphomaniac, Kate Micucci plays a shy yet jealous nun who enjoys spying on her peers, and John C Riley plays a pastor/priest who is incapable of keeping his convent afloat. Even though the script feels of bit rushed, and the dialogue doesn't resemble at all old English dialect, the overall directing and tone of the film makes it a good time, due to it's musical score, production design, costumes, and performances. Overall, this is a fun time, if your into intelligent yet raunchy comedies.
Personally, I'm not the biggest fan when it comes to Romance films. Usually, at least the ones that don't take any sort of artistic risks, feel generic and forced when it comes to the romantic leads chemistry. However, there are some exceptions. For example, the 2011 film Ruby Sparks uses genre cliches and turns them over to create a unique look at gender roles in a relationship. Same can go towards Wes Anderson's Moonrise Kingdom, but with it's main focus on romantic relationship's of today's youth. With that said, I happy to announce that The Big Sick is one of those great romance features. Specifically, this is due to the terrific script, in which the audience and my self were both emotionally invested and laughing all the way. This, by far, is the most humorous film of 2017. Admittedly, the film does get a bit sappy near the end, and there isn't anything all the visually nor technically interesting in the direction of the film. But, with it's great script, The Big Sick is truly a film for the ages.
Baby Driver is most likely the most original and fun film available in theaters at this moment in time. The shear amount of energy in which Edgar Wright has been producing this film for over 20 years, is quite impressive to say the least. Edgar and the cast and crew surely has a grasp on the overall arks of technical and narrative film making. The way how the plot moves and how it's told is beautiful. Nothing feels generic. Most complaints about the film, come from the third act. But to be honest, even decisions and narrative risks which took place in said ending, is understandable and works. My only complaint with the film, is how it's paced. Sometimes, it feels a bit wonky or too slow compared to previous scenes. Other then that, this is an energetic rush of an experience. It's a masterpiece to behold, and I recommend it too anyone who wants to see a great film.
A24 is one of those companies in which you can trust there own end products. If there's any film distributed by them, I'll try to see it as soon as possible, just because of there unique and artistic decisions. So, when I heard A24 was making there first ever romantic comedy, I was pretty excited. The trailers looked great. The cast was stellar. But the end product was deeply lacking. The Lovers is a quick mindless piece of romantic slop. The characters weren't memorable, the directing choices weren't concise. Sure, there was some neat music choices here and there, but overall, I was unimpressed. Nothing stayed with me. The reason why films such as Eternal Sunshine of the Spotless Mind and Ruby Sparks worked was because they had great romantic chemistry. With the romantic chemistry in The Lovers, nothing stuck. It just felt lazy. This was a below average attempt from a great distributor. Just go back at what your great at A24.
My American Cousin is one of those "classics" in which adults from the time of the films release, called it a masterpiece. But when it comes to the several teenage tropes that are evident in today's work culture, My American Cousin is just as guilty as the other teen dramedies. My American Cousin does nothing new with it's medium, and doesn't try anything to be special. Some nice shots and music choices here and there, but nothing resonated with me. Not even the end product was satisfying. It's just a lackluster attempt, for adults of that era, to deem an undeserving teen film which they "resonated" with. A Canadian Misfire.
A Dog's Purpose is quite an under rated film. This may be strange for me to say, due to the fact that I side to the critics side more often. But the way this family friendly film directed by Lasse Hallström (who directed Hachi A Dog Tale {Which broke my Heart as a little baby boy}), is a simple yet refreshing look at the afterlife without going overblown existential. It's cute and charming, and has it's emotional moments. And even if some scenes may seem cliche, the heart warming atmosphere helps retain it's re-watchability standard. Overall, an above average kids film with some hic-ups here and there.