Solaris, out of all the work I've seen from Russian director Andrei Tarkovsky, is the most accessible and re-watchable out of his work. The paranoiac sensibilities of the drama in this tale is easy to comprehend. Unlike Stalker, Solaris has a very linear plot line. It deals with several thematic materials of death, memories, and even relationships. Some problems that I had with the films, is that the first half of the film, lacked in pacing and overall presentation, while the the second half is what you expect from Tarkovsky. Brilliant directing with a touch of ambiguity. If the whole film, was like the second part, we would most likely have one of the greatest films of all time. In fact, if there were more moments between the leads Hari and Kris, I believe we would have had one of the best character dynamics in any source of media, of all time. Solaris is a good film. It's not as great as Stalker, but when you put it in contrast to several other science fiction films of the 70's, there's not much of a competition (except for Close Encounters) Overall, I highly recommend this film, for first time viewers of Tarkovsky's work.
Stalker is quite a mind blower when it comes to the science fiction genre. The way how Russian director Andrei Tarkovsky takes thematic material of depression and longing, helps make an incredibly dense and thought provoking plot. The shear amount of character logic, and storytelling put into this near 3 hour masterpiece is a stunner too any cinephile. Not only that, the amount of tension and atmosphere in the film took my breath away to the point where my own environment felt damp, like the film. My only problem's with this piece of cinematic art, is how some of the dialogue felt a bit exposition, and how some scenes and transitions weren't so clear. At times, it just felt like the characters were spitting out what they thought, and the transitions felt off and unclear to the point where it was hard to understand what happened in the time frame between two specific points. This can include the sepia to color transfer, which was strangely used at the end of the film (but it could be implying a metaphor, in which I still haven't realized), and as well, the conversation by the lake near the second act. Overall, this is a thought provoking master piece in which it deserves more credit. It's truly a work of art.
When it comes to surrealist film making, it's difficult to determine if something is pretentious or not. A film like 2015's Heart of a Dog, made people, like myself, think about the implications of human interactions with animals, while others, deemed it as pretentious trash. My Winnipeg, is a strange case. It's a semi-autobiographical dramedy documentary, with a distinct and odd style. But the thing is, what Guy Maddin does with his own medium, is that is re-invents the way self therapy can be used. My Winnipeg, is especially an extremely non-linear look at the psyche of a Canadian who lives in Winnipeg. My entire life.I must leave it.I must leave it.I must leave it now. It may seem like a tedious way for someone to view another person's point. Although some thematic material does feel redundant in a way, Maddin expertly manages to take a diary of his dull surroundings, and turns them into a whimsy and intriguing feature. We never really know, what is real or fake (such as the horses frozen in the lake.) But, that's the point. Maddin, wanted to create a film, which could tell the test of time. Spoiler Alert. It succeeded.
My American Cousin is one of those "classics" in which adults from the time of the films release, called it a masterpiece. But when it comes to the several teenage tropes that are evident in today's work culture, My American Cousin is just as guilty as the other teen dramedies. My American Cousin does nothing new with it's medium, and doesn't try anything to be special. Some nice shots and music choices here and there, but nothing resonated with me. Not even the end product was satisfying. It's just a lackluster attempt, for adults of that era, to deem an undeserving teen film which they "resonated" with. A Canadian Misfire.