Well what do you know, we have another trash film coming our way. This piece of corporate production serves nothing more or less then to merchandise the living shit out of it's franchise. There's nothing new or inventive in Despicable Me 3. Just cringe worthy dialogue, painful jokes, and a plot which doesn't make coercive sense. It's a film in which it should be trashed and looked down upon on how not to make a kids film. At least with Captain Underpants, the overall arching themes stayed with it's fresh brand of inventive humor. Here, it's just the worst bits of the Despicable Me franchise, stretched to an unnecessary 90 Minutes. Don't even bother with this one, unless your heavily intoxicated like the couple who sat beside me during the film.
Frantz is most likely the most over rated film of the year so far. It's a convoluted mess, in which it takes it's most redeeming attributes, and throws them into a bon fire when it ends. The Black and White to Color transfer was unnecessary and didn't serve much of a purpose to the film. The romantic intrigue of the film deeply lacked. The film wasn't mysterious nor clever then it thought it was. Not to mention, the elongated plot, in which more then an hour could have been cut. In fact, only the first part up to when the big secret was revealed could of been cut, and may have served better as an average short film. Instead, we got a painfully crappy film. I highly urge people to not see it.
From the Land of the Moon was quite a surprise. Because of the negative reception from Cannes, one year ago, I was worried for this French production. Marion Cotillard is one of my favorite actors, and it would be a shame for her talent to go to waste. Thankfully, From the Land of the Moon is on the border of decent to good. It's a solid somber effort at a fictional period romance, and works for the most part. Although both the plot and characters are quite cliché filled, there's enough effort and style for the film to stand on it's own. There's nothing harmful nor new being presented here. It's just a simple quaint drama, with some expert cinematography and musical score, which will may or may not stay with you.
Personally, I'm not the biggest fan when it comes to Romance films. Usually, at least the ones that don't take any sort of artistic risks, feel generic and forced when it comes to the romantic leads chemistry. However, there are some exceptions. For example, the 2011 film Ruby Sparks uses genre cliches and turns them over to create a unique look at gender roles in a relationship. Same can go towards Wes Anderson's Moonrise Kingdom, but with it's main focus on romantic relationship's of today's youth. With that said, I happy to announce that The Big Sick is one of those great romance features. Specifically, this is due to the terrific script, in which the audience and my self were both emotionally invested and laughing all the way. This, by far, is the most humorous film of 2017. Admittedly, the film does get a bit sappy near the end, and there isn't anything all the visually nor technically interesting in the direction of the film. But, with it's great script, The Big Sick is truly a film for the ages.
Similar to my thoughts on another recent film, Kong Skull Island, I thought Captain Underpants: The First Epic Movie is one of the most self aware children's films of all time. The way how writers Nicholas Stoller and David Soren manipulates the original childish source material into a mixture of both juvenile fun and hilarious hi jinks, makes it one of the most refreshing films made by Dreamworks since How to Train Your Dragon. Several jokes and plot beats happen during the run time, but what separates those moments to several other pieces of generic crap, is how "self-aware" the plot is. It makes jokes and references to the original source material, films, censorship, and more, while still retaining a charming price. Captain Underpants: The First Epic Movie is truly something surprising. I thought this was going to be something annoying and abysmal at the most. Instead, I got a hilarious route of fun, in which I smiled the whole way through.
Baby Driver is most likely the most original and fun film available in theaters at this moment in time. The shear amount of energy in which Edgar Wright has been producing this film for over 20 years, is quite impressive to say the least. Edgar and the cast and crew surely has a grasp on the overall arks of technical and narrative film making. The way how the plot moves and how it's told is beautiful. Nothing feels generic. Most complaints about the film, come from the third act. But to be honest, even decisions and narrative risks which took place in said ending, is understandable and works. My only complaint with the film, is how it's paced. Sometimes, it feels a bit wonky or too slow compared to previous scenes. Other then that, this is an energetic rush of an experience. It's a masterpiece to behold, and I recommend it too anyone who wants to see a great film.